The novelist Paul Bailey, who passed away last year at 87, was celebrated for his humorous talent, deep empathy extending to his deeply imperfect creations, and a cleverness that never felt cold. His novels frequently delved into the role of remembrance within personal journeys, driven by sharp, rhythmic dialogue. Apart from fiction, he was also a poet, memoir writer, and additional roles—here is a guide to the volumes he authored.
Paul Bailey proved an outgoing person, a skilled communicator fond of lighthearted gossip, as one character notes. Together with companion author Beryl Bainbridge often enjoyed the TV show Coronation Street and analyze it telephonically. This fondness for chatty conversations appears within his novels the novel Trespasses (from 1970) and Peter Smart’s Confessions (released in 1977). Both feature a leading man encircled by humorous, irritating, exaggerated personalities, often close relatives whose gravitational pull is unavoidable. “Why would anyone desire normality?” Ralph’s mum questions in the book Trespasses upon his coming out. Like an evening with your smartest, cheekiest pal.
The novelist penned excellently regarding elderly life, throughout his literary path. His initial fiction At the Jerusalem (published in 1967) details the journey of Faith Gadny while she adapts to an old people’s residence, in which other inhabitants offer warmth absent in employees, who show interest by asking “Why not view the TV, ladies?”. Within his second-last book Chapman’s Odyssey (from 2011), an elderly hospitalized man switches between disputing with medics (“I consume only fine wines”, he affirms after reprimands over liver tests) and experiencing a rush of recollections from his parent, romances, fictional icons including Pip by Dickens and Emma by Austen. Each volume are filled with funny exchanges however tinged with impending endings. Throughout his novels, smiles are deceptive. In At the Jerusalem, “the matron smiled, shut the smile off quickly”; Mrs Gadny laughs nervously if her actions are questioned. Within Chapman’s Odyssey, Harry advises that “my smiles aren’t what they seem”. The audience’s grins, though, are real.
In addition to fiction, The author excelled as a gifted memoirist, publishing two autobiographies. the memoir An Immaculate Mistake (1990) stands as a masterpiece of recollection, its title derived from his mother’s words labeling him an “accident” and questioning his presence. (“Elderly, she disclosed hidden truths,” he notes. “This secret, she realized, would intrigue me.”) Here we see the roots of misguided, loving, frustrating parents within his fiction. Additionally, it depicts a beautiful image of a homosexual young man during the mid-20th century, during a time of anti-gay laws, and his relatives considered it strange if a male child gifted blooms to his parent; and of an aspiring actor (Paul Bailey performed prior to authoring) who could recite Hamlet as a teen. His follow-up autobiography the book A Dog’s Life (2004) concentrates on existence alongside his mixed-breed dog Circe, his previous lover David, his affection for Romania—which motivated later novels like Kitty and Virgil, Uncle Rudolf, plus The Prince’s Boy—and loads of chatter, featuring an anecdote regarding Iris Murdoch labeling a listener a “stupid cow”.
Paul Bailey’s books are mostly concise—the notable Old Soldiers (published in 1980) is just over 100 pages—but for something shorter, sample his verse from his later career. The two books Inheritance (from 2019) and Joie de Vivre (2022) exhibit Bailey’s wit, empathy, precision in condensed form. These verses are rich with endings and beginnings. Two affectionate topics reappear: for his mother (“Now I’m closer—/ I have to say—/ than in life”) and for his spouse Jeremy Trevathan. In that piece, he describes the joy of “watching an idiotic TV entertainment” together, finishing with: “It’s amazing, somehow, to eat cheese and sip wine while the world darkens.”
Most agree that Bailey’s most ambitious novel is the novel Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He was a Booker judge in 1982, an experience he despised.) This novel Paul Bailey valued most, even though “it exhausted him completely”. It relates Gabriel Harvey’s story, with a missing mother and a father who becomes a intolerable pretentious person following a financial windfall, and the two might be related. It’s a depiction of London in the 1900s, a tale of emotional unraveling, and as funny and sad like his other works. For more, it inspired a follow-up, Sugar Cane (from 1993), which the author studied by attending brothels to observe.
A passionate historian and travel writer with expertise in Mediterranean archaeology and Sicilian culture.